simple simon says, go home
about the author, said simply simon
photographs, said simply simon
links, said simply simon
notes, said simply simon
All poems on this page Copyright © Stephen Norman 2004 unless otherwise stated.
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witness the works of Whitley William Doss. . .my penname, my poetic alter-ego. . .this is where i've shaken hands with James Tate, E. E. Cummings, William Carlos Williams, Stephen Crane, et al, and tapped the waters of prose poetry, surrealism, beat poetry, and impressionism. . .it's sometimes fun, sometimes melodramatic, often too sappy, always me. . .i am after all above all a poet, or a writer if the former strikes as too semantically simplistic, poet again when writer flails and falls flat as formulaic and cryptic. . .i'm too alliterate for my own good, my own style sometimes silly. . .take care to enjoy and enthuse if perchance anything in any way moves you
as long as the day seemed far away from me

at times & durations i declare i'm daft. dreamy durations, this always happens when i've been up all night.

after walking much farther the run of the shuttle i finally arrived at the MT Cup. not for coffee, but to hang up an ad for new roommates. i scuffled like a zombie across the street to my bank and withdrew nearly double the funds i need to cover bills. then it was back to the Cup. not for coffee, but for spiced chai. it derides the sheepish sleeplessness of the days that drag.

walking to class i passed the bus. i was tempted to hop on for a few lazy laps, legs crossed arms collapsed. decidedly it was against my good, better, and best judgments.

i swear as i lit my first cigarette the sun came out just to scald me. that bad pun is my prayer for good luck on my first test. i will pass the second like Sysiphus with a titanic tumbler--leaping through hoops of cold chills in ways that evoke oasis.

my reverse psychology is much like feigned propriety in that i'm not even embellishing details as i narrate this song for you.

i hovered over the daily news stand for hints and minutes before deciding on a firm audible, "no thank you," as if onlookers were hanging on my very hesitation.

i flirted with a middle aged woman looking for another building, but i was wrong along. my first test wasn't real. it regains actuality thursday. it's good news, a shade tolerant tree, a biome in plaid pants.

i saw an old friend from high school. she brought up a phase i went through that consisted of rit dye and only wearing red clothing. mostly she listened to me talk to myself for a good hour, sand dunes evaporating under outlandish perplexity. i said terribly profound things more terrible than profound like. . .

"when your mere glance breaks the societal mirror maybe it's time to up the dosage and dye your hair."

"Marx was such a reductionist. he needed more pussy & poetry in his life."

". . .but i don't regret anything, including the things i deny ever happened."

"marlboro lights, only virgins smoke them, that's all you need to remember."

she pointed out that no studied theorist was without conceit, and i felt much better about being self-absorbed. class is almost over. in the land of the blind the cyclops still has no depth perception; fuck phenomenology.

i insisted on being inconspicuous when i later hung more ads. being spotted shoots down our approach toward arcanum, destroying anticipation. except for my ex-girlfriend, Joni. she never sees me when she sees me anyway. she's on the "no thank you" list.

the test in jest came and the professor actually handed out answers to what we already knew. i was especially knowing, having been looking for hints all day.

and so the very day went. strange. sitting i had nothing too provoking to say, but walking around meant desperately seeking safe sitting situations productive to release & production. oasis met me, but i nearly drowned.
--a penny for your thoughts.who'd pay even that for mine,

are we all merely voyeurs of our own
priceless dreams? starless nights   ,a question
defending at all cost
the passersby their sombre fascinations

i've become a voyeur, please.don't want
to be involved but:

entropy. an observer affects the observed, multiply this
              ad infinitum, because all observed are also
              observers of others observed(/ing).  perception
              is reality.  things are only alive via circadian
              attention paid
              frugally  for nothing is real
.pennies
we create our present,pretty/pain--blah
from frag-
ments of the past, misunderstandings building
perpetually into nowhere
(it's the synopsis of the universe)

a poem called another poem

your dad was killed by a ninja?
that's wickedly, er, pondering . . .
oh, your day
but still, how priceless
it's a bit warm in here, isn't it?
well, maybe you should just stay unsure
unaware to this, our sweatshirt, la vie
hey, did you know that one of my legs is shorter than the other--
i mean, uh, about one hundred people
die each year choking on ball point pens.
totally unaware . . .
oh, i can't remember which leg.
how's your dog?
is it hot in here, or is it just me.  jesus,
i'm burning up
hold on, i'm going to slip out
of this ninja suit
but please do go on.

medley, quite vicariously

this is fabrication
imagined conversation
fixed for your bedazzlement
the day the sky stopped breathing

constructed crackpotteries
roll over and tell the other half
that your intentions were good
but intentions are at best
matured-perhaps-soured aspirations

skipping about snowscapes pull your cover up,
wipe your face and maybe just maybe face
the cold of heart & honesty

honestly, even at your most downtrodden
still there are crowded cupboards
cupfuls of contemplations
ready or not, but maybe here we go
might chance the perimeters
of galaxies only infants recall
and recuperate

not frightening, this tag tailed tolerance will
ferment a first week consolation
a consortium of wicker cabinet mentalities
and recuperate

mermaids' lyric
(in response to Eliot's "The Love Song of J. Alfred Prufrock")

we all play the Fool a time or two,
and Prince Hamlet's are few,
but there's a spark of him in me and you.

you never know who lingers in the
gardens picking petals divining your name.
maybe it's for her that you do the same.

it's do or die lonely.
befriend or be only
a flickering flame, a passing ember
that no one will remember.

right as rain

God, smiling, handed me my report card
with the calm, soothing, I think you'll be pleased. . .
i anxiously fumbled, unfolded it
only to find
that i couldn't read his hand writing.

and this was pleasing.
TheCurseThatTurnsBoysIntoGirls

it all starts with an innocently drawn
surrealist compliment
then one finds them self mind fields
later crafting
longdistance letters in a haste
of longing
one is conducting crises in
aging litter
strewn about the alleys of one's failed attempts
it's listless, it's defeatist
it's sweet burden
come unexpected
without so much as
knock or kneel
.you realize this in the
specks illuminated
by morning's ugly rays through your
third story apartment room window
(ants crawling under your shoe)
but alas you're content
or deargod
even intrigued

things left unheard of

i'll be holding you to your hints
even after mountains have melted into the gridlines of valley lore
so long sweet afterlife

we bare a striking match resemblance to dwarf stars
never glanced
even in accident on alphabet blocks
letters displaced
twenty four carat confabulation

the science fiction of challenges met, figuring out
that digital embraces just don't fly

it will be years in waiting and a day ahead of itself,
this kiss
will be a lifetime supply of post-it notes.

perhaps aghast, dashing
through a thicket of hyperbole
puddles of goo with a poof an envious imp

this kissed will be a brilliant quote
without quotations that bleeds
through every page of the book
leaving blank,
perhaps us
a little re-written.
All poems on this page Copyright © Stephen Norman 2004 unless otherwise stated.
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